Author Archives: telyhardware
Rhizomes, Knives and Thread: Books by a Thousand Cuts (Sketchbooks, Part 3)
Rhizomes are plant stalks which spread underground. Rhizomes mimic artistic growth — we must continuously create space for processes to expand within us until a new stalk pushes up somewhere, surprising us with new growth. This can occur with startling regularity. In my first post about sketchbooks, I briefly addressed the WHY of keeping a […]
Rhizomes, Carbon and Graphite: Contemplations on a Sketchbook, Part 2
It will be 50 years since Donn E. Trethewey told me that “if I wanted to be an artist, I would have to draw everyday.’’ That was on October 26, 1968. I was 19 years old going on 11. I have been lucky to have a friend in Donn since that time. He also told […]
Rhizomes and Ink: Contemplations on a Sketchbook, Part 1
In my first drawing class in college in 1967, my instructor said either “always carry a sketchbook” or “always keep a sketchbook.” I don’t know if anyone else in Keith Imus’s Drawing 101 paid much attention, but I did. Over the past 50 plus years sketchbooks have developed into a most potent device for learning. […]
Building New Books and the Challenge of Repairing Old Ones
I came upon the following bothersome quote from Matthew Crawford. (Despite thoroughly enjoying the book, no author is perfect.) “Fixing things, whether cars or human bodies, is very different from building things from scratch. The mechanic and the doctor deal with failure every day, even if they are expert, whereas the builder does not. This […]
Philip Smith – A Meditation by Timothy C. Ely
In 2016 I was asked to write an introduction to the catalog for an auction of Philip Smith’s work. Given the interest in my prior post about Philip, I’m re-posting what I wrote here. I am a romantic but not prone to great exaggeration. As I have studied deeply the history of books and their […]
Evolution, Creativity, and Metaphysics
“Creativity involves not only years of conscious preparation and training but unconscious preparation as well,” wrote Oliver Sacks in outlining the three essential elements of creativity, adding: “This incubation period is essential to allow the subconscious assimilation and incorporation of one’s influences and sources, to reorganize and synthesize them into something of one’s own.” In […]
OF SCRIPTS AND STARS The Cipheric Aesthetics of Timothy C. Ely’s Cribriform Script by Ian Boyden
It is possible to interpret this confrontation of script and stars. Just as now and then a star emerges from the host—as a moving planet, as a comet—so also does a cipher, whose ideogram becomes intelligible to us, rise up now and then from the heap of incomprehensibility. One could draw the conclusion that the […]
